The Belongings

Recovering the Lost Songs, Drawings, & Legacy of a Brilliant-But-Unknown Artist

Black and white photo of a man Sam Rosen in a cardigan against a plain blue background.

Sam Rosen lived a storied life.

  • A small town boy during the Great Depression who lived in the same town as the MGM lion.

  • A World War II soldier.

  • A struggling songwriter whose work briefly appeared on Broadway.

  • A Hollywood screenwriter for cartoons, notably 1970’s Phantom Tollbooth.

  • An out gay man during an era when people (Sam included) were arrested for the “crime” of homosexuality.

  • A homeless senior citizen who lived a life of paranoia, convinced that government agents were after him. 

Over the decades, Rosen quietly created a vast collection of impressive work—from songs to optical illusions—that never found an audience beyond his ever-shrinking social circle. Becoming homeless in his final year, he died in 2005 at the age 80, leaving behind a rich legacy as a brilliant but unknown outsider artist

Songs by Sam

As a lyricist, Sam wrote folk songs, children’s songs and musical theater numbers. Roughly 120 song demo recordings have been recovered. In the 1960s or 70s (dates unknown), Sam frequently performed at the Hootenanny Night at The Troubador in West Hollywood, a legendary variety show that launched the careers of Tom Waits, Hoyt Axton, and more. What follows are are some highlights.

A handwritten list o song titles by Sam Rosen with some printed labels, next to a cassette tape. The list is titled 'MY SONGS' and includes titles like 'A LETTER FROM A WITCH' and 'THE LADYBUG SONG,' along with additional notes and checkmarks.

Songs of Longing

The Ladybug Song
A tale of loneliness. It tells the story of an unnamed doodlebug who falls hopelessly in love with an inanimate object, a tin pin shaped like a ladybug.

Over Your Shoulder
A song about missing someone and being missed.

Optical Illusions by Sam

Here are some of Sam’s optical illusions. He drew hundreds, if not thousands, of "upside down faces" over the years. He was obsessed with them ever since he was a boy, when he saw a page of optical illusions in the comics section of a newspaper.


Below is another optical illusion Sam created. Be warned this is Not Safe for Work.

Short Film by Sam

An impressive, 18 minute sci-fi movie that Sam made, potentially in the early 1970s, as a gift to a family who allowed him to stay as a guest. The production is elaborate, given its budget and era, featuring imaginative props, special effects, and even animation in an era when editing a film required a lot of time and equipment.

A man dressed in a tuxedo sitting at a kitchen table, holding a glass of drink.

Photos of Sam

A black-and-white portrait of a young man in a military uniform, smiling.
A person sitting at a cluttered desk using a vintage typewriter in a room decorated with a Mickey Mouse plush, a Mickey Mouse poster, a large yellow banner with red letters that says 'PARTY', and various framed pictures. The room also features a patterned wall hanging, a table lamp, and various office supplies.
A man with a shaved head and mustache sticking out his tongue, looking at a pumpkin decorated as a face with googly eyes and a tongue, on a shelf next to picture frames.
A man holding a carved pumpkin with a face, tongue sticking out, and a bowtie, with a small sign reading 'Halloween 2' in the background.
A vintage photograph from a 1966 birthday party at Betty Norton's shows a man and a woman sitting at a dinner table. The man is looking at the camera with a humorous expression, wearing a paper bib with a drawing of a kangaroo. The woman is in profile, resting her chin on her hands, wearing a white blouse and a bracelet. There are drinks and a plate of food on the table. A colorful painting or poster is hanging on the wall in the background.
Black and white photo of a man sitting, resting his head on his right hand, with a calm and slightly amused expression, dressed in a dark sweater over collared shirt with a patterned tie, in an indoor setting.
Photograph of an elderly man with glasses, a pink knit cap, and a cigarette in his mouth, standing in Times Square, New York City at night. He is wearing a jacket, a t-shirt with handwritten text 'Groucho in New York 2004', and a yellow scarf. The photo has doodles drawn on the man, including glasses, a mustache, a pipe, and a beard.
Two black-and-white photographs of the same man, one close-up portrait and one full-body shot outdoors, with trees and a fence in the background.
Two women looking at a decorated chocolate cake with a doily around it, on a dark wooden table.

Sam at Work

Sets for Sam's adaptation of Heidi at Warner Playhouse

Epic sets from Heidi at the Warner Playhouse, written and directed by Sam.

Black and white photo of four people sitting in an office, with a man playing a guitar, three others listening, and papers on a table in front of them.

Sam in a meeting at MGM, likely during the production of The Phantom Tollbooth.

During pre-production of The Phantom Tollbooth, a colleague drew Sam in a scene.

Black and white photos of a theatrical rehearsal or performance in a wood-paneled room with framed paintings, chairs, and a grand piano. The top photo shows four actors on stage, and the bottom shows actors in a scene with seated audience members.
Two men posing in front of a large angel statue with wings, one standing with hand in pocket and the other sitting, both looking upward. The setting appears to be indoors with a dark, decorated background.

Production stills from the 1967 pilot of a kid’s show that Sam hosted and filmed.

A black-and-white collage featuring a man sitting on a stool playing an acoustic guitar, with a large artistic drawing of a woman's face in the background and the text "Good Sam and his Lady."
Two black-and-white photos of a stage setup with a painted background of a large tree, hills, and a sun. The top photo shows artwork only, with a chalk drawing of a person, a bird, and faces indicating different emotions. The bottom photo shows a man playing a guitar, sitting on a barrel, acting as if he is performing, with musical instruments and a guitar case on the ground in front of him.

Sam & Public Figures

A sketch of a tall man with a big nose kneeling and giving a small child a fist bump; the child is saying 'Thanks' and is wearing a striped shirt.

A gift from comic strip pioneer Walt Kelly, who drew his signature character Pogo thanking Sam for writing something, presumably uncredited.

Black-and-white photograph of a woman with curly hair, appearing to be in thought, resting her chin on her hands near her face, with a background of exterior wall siding.

Sam’s friend, actress and singer Elsa Lanchester, best known as the Bride of Frankenstein.

A hand-drawn Halloween scene featuring pumpkin characters with faces and limbs, a witch, bats, and a full moon with a yellow glow. The moon has the text "SAM!" and "Happy Halloween 1967!" written on it. The scene is created on lined notebook paper with various colored markers.

A Halloween greeting from the family of Ray Bradbury, drawn by his daughter.

A woman is sitting on a small wagon holding a pumpkin with a face drawn on it, dressed in a black dress with pearl jewelry. A man wearing a white suit is standing nearby. They are on a stage with a large film camera in the background, and Halloween pumpkins are on the wagon.

While filming The Trouble with Girls, actress Marlyn Mason shows Elvis Presley an Elvis pumpkin that Sam had carved.

Two carved pumpkins transformed into human-like faces with features, one with a small blue flag on top and the other with spiky hair, displayed on a surface against a plain background.

Sam-o-lanterns. On the left, Sam’s rendition of Ray Bradbury’s Illustrated Man. On the right, Sam’s depiction of Elvis.

Three young adults standing outdoors in front of bushes, one holding a watermelon on his head, during daytime.

Sam with cabaret singer and Bride of Frankenstein star Elsa Lanchester and her pianist Ray Henderson.

Black-and-white photo of two men standing indoors during Christmas in 1968, with other people in the background. The man on the left is dressed in a suit, holding a drink, and has his eyes closed. The man on the right is wearing a cardigan and has his hands in his pockets, looking to the left.

Sam with animation legend, Chuck Jones during the making of MGM’s animated film, The Phantom Tollbooth.

Sam & Ladybugs

Sam was obsessed with ladybugs. He not only wore a ladybug pin everywhere he went, but he drew numerous cartoons about the lives of ladybugs.

A simple drawing of two ladybugs, one blue and one red, with a speech bubble above them saying, 'It must have been something I ate.'

Sam’s colleagues in the animation world lovingly poked fun at his obsession with wearing a ladybug pin. They drew a series of cartoons lampooning his quirky fixation.